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	<title>Darkthorn's Blog &#187; Psychology</title>
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		<title>Sensation and Perception</title>
		<link>http://darkthorn.sorrowfulunfounded.com/2008/06/sensation-and-perception/</link>
		<comments>http://darkthorn.sorrowfulunfounded.com/2008/06/sensation-and-perception/#comments</comments>
		<pubDate>Wed, 11 Jun 2008 23:00:30 +0000</pubDate>
		<dc:creator>darkthorn</dc:creator>
				<category><![CDATA[University]]></category>
		<category><![CDATA[Psychology]]></category>
		<category><![CDATA[Sensation/Perception]]></category>

		<guid isPermaLink="false">http://darkthorn.sorrowfulunfounded.uni.cc/?p=83</guid>
		<description><![CDATA[These are my revision notes on the senses from my university lectures. Once again, Copyright belongs to Monash University, and has been paraphrased by me for my revision purposes. Auditory System Sensation – the initial message from the senses Perception – process by which messages from the senses are given meaning Accessory structure (eye lens [...]]]></description>
			<content:encoded><![CDATA[<p>These are my revision notes on the senses from my university lectures. Once again, Copyright belongs to Monash University, and has been paraphrased by me for my revision purposes.</p>
<p class="MsoNormal" style="margin-left: 36pt; text-align: center; text-indent: -36pt;" align="center"><strong>Auditory System</strong><span style="text-decoration: underline;"><span style="font-size: 26pt; text-transform: uppercase;"></span></span></p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Sensation – the initial message from the senses</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Perception – process by which messages from the senses are given meaning</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Accessory structure (eye lens or outer ear) modifies energy <span style="font-family: Wingdings;">à</span> sensory receptors transduces energy into a neural response <span style="font-family: Wingdings;">à</span> sensory nerves transfer the coded activity to the central nervous system <span style="font-family: Wingdings;">à</span> thalamus processes and relays the neural response <span style="font-family: Wingdings;">à</span> cerebral cortex receives input and processes the sensation and perception.</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Adaptation – process by which responsiveness to an unchanging stimulus decreases over time</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Coding – translating the physical properties of a stimulus into a pattern of neural activity</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Doctrine of specific nerve energies – stimulation of a particular sensory system provides codes for that sense, no matter what the form of the stimulation</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Temporal codes – coding attributes of a stimulus in terms of changes in the timing of neural firing</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Spatial codes – coding attributes of a stimulus in terms of the location of firing neurons relative to their neighbours</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Liberal response bias – able to see stimulus when one hasn’t been presented</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Conservative response bias – refuse to report a stimulus until you are certain it is there</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Amplitude of sound – the intensity, the loudness of the sound</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Pitch – how high or low the sound is, depending on the frequency of the sound waves.</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Timbre – quality of sound</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Auditory system – sound waves are collected in the pinna <span style="font-family: Wingdings;">à</span> pinna funnels sound down into the ear canal <span style="font-family: Wingdings;">à</span> sound waves reach middle ear where they strike the eardrum/tympanic membrane <span style="font-family: Wingdings;">à</span> vibrations on the membrane are passed on by the three bones of the ear (malleus/hammer, incus/anvil and stapes/stirrup) <span style="font-family: Wingdings;">à</span> amplify the changes in pressure by focussing vibrations on the oval window membrane <span style="font-family: Wingdings;">à</span> sounds enter the inner ear (cochlea) where transduction occurs <span style="font-family: Wingdings;">à</span> basilar membrane runs the base of the cochlea <span style="font-family: Wingdings;">à</span> when a sound wave passes through the fluid, bending the hair cells of the organ of the Corti and membrane<span style="font-family: Wingdings;">à</span> the hair cells connect to the fibres of the auditory nerves which transfers the sound to the brain for processing.</p>
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<p class="MsoNormal"><strong>Aspect of Sensory   System</strong></p>
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<p class="MsoNormal"><strong>Elements</strong></p>
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<p class="MsoNormal"><strong>Key Characteristics</strong></p>
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<p class="MsoNormal">Energy</p>
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<p class="MsoNormal">Sound – pressure fluctuations of air produced by   vibrations</p>
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<p class="MsoNormal">The amplitude, frequency and complexity of sound waves   determine the loudness, pitch and timbre of sounds</p>
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<p class="MsoNormal">Accessory Structures</p>
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<p class="MsoNormal">Pinna, tympanic membrane, malleus, incus, stapes, oval   window, basilar membrane</p>
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<p class="MsoNormal">Changes in pressure produced by the original wave are   amplified</p>
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<p class="MsoNormal">Transduction Mechanisms</p>
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<p class="MsoNormal">Hair cells of the organ of Corti</p>
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<p class="MsoNormal">Frequencies are coded by the location of the hair cells   recieveing the greatest stimulation and by the firing frequency of the   neurons</p>
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<p class="MsoNormal">Pathways and Representations</p>
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<p class="MsoNormal">Auditory nerve to thalamus to primary auditory cortex</p>
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<p class="MsoNormal">Neighbouring cells in the auditory cortex have similar   preferred frequencies, thus providing a map of sound frequencies</p>
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<p class="MsoNormal" style="margin-left: 36pt; text-align: center; text-indent: -36pt;" align="center">
<p class="MsoNormal" style="margin-left: 36pt; text-align: center; text-indent: -36pt;" align="center"><strong>Visual System</strong><span style="text-decoration: underline;"><span style="font-size: 26pt; text-transform: uppercase;"></span></span></p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Cornea – the curved, transparent layer through which light waves enter the eye.</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Pupil – an opening in the eye just behind the cornea through which light passes</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Iris – the colourful part of the eye, which constricts and relaxes to allow light to enter the eye</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Lens – the part of the eye behind the pupil that bends light rays, focussing them on the retina (accommodation)</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Retina – the surface at the back of the eye which the lens focuses light rays</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Photoreceptors – nerve cells on the retina that code light energy into neural activity</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Photopigments – chemicals in photoreceptors that respond to light and assist in converting light into neural activity</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Rods – highly light-sensitive, but colour insensitive, photoreceptors that allow vision in low light</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Cones – photoreceptors that distinguish colours</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Fovea – region of the centre of the retina where cones are highly concentrated</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Acuity – visual clarity which is greatest in the fovea</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Lateral inhibition – creates more difference between dark and light areas because of interneurons</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Ganglion cells – cells in the retina that generate action potentials, locked onto bipolar cells and interneurons</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Receptive fields – the portion and the visual world that affects a given ganglion cell</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Optic nerve – the bundle of fibres that is composed of a bundle of ganglion cell axons</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Blind spot – the area at which the ganglion cells converge and exit the eyeball</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Optic chasm – part of the bottom of the brain where half of the optic fibres cross sides</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Lateral geniculate nucleus – a region of the thalamus in which axons from most of the ganglion cells in the retina end and form synapses</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Primary visual cortex – an area at the back of the brain to which neurons in the lateral geniculate relay visual input</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Feature detectors – cells in the cortex that respond to a specific feature of an object</p>
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<p class="MsoNormal"><strong>Aspect of Sensory   System</strong></p>
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<p class="MsoNormal"><strong>Elements</strong></p>
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<p class="MsoNormal"><strong>Key Characteristics</strong></p>
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<p class="MsoNormal">Energy</p>
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<p class="MsoNormal">Light – electromagnetic radiation from about 4000mn to   about 750mn</p>
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<p class="MsoNormal">The intensity and wavelength of lightwaves determine the   brightness and colour of visual sensations</p>
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<p class="MsoNormal">Accessory Structures</p>
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<p class="MsoNormal">Eye – cornea, pupil, iris, lens</p>
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<p class="MsoNormal">Light rays are bent to focus on the retina</p>
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<p class="MsoNormal">Transduction Mechanisms</p>
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<p class="MsoNormal">Photoreceptors (rods and cones) in the retina</p>
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<p class="MsoNormal">Rods are more sensitive to light than cones, but cones   discriminate between colours. Interactions between the cells of the retina   exaggerate differences in the light stimulus</p>
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<p class="MsoNormal">Pathways and Representations</p>
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<p class="MsoNormal">Optic nerve to optic chasm to LGN   of thalamus to primary visual cortex</p>
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<p class="MsoNormal">Neighbouring points in the visual world are represented at   neighbouring points at the LGN and primary   visual cortex. Neurons then respond to the stimulus.</p>
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<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;"><span style="text-decoration: underline;">Seeing colours</span></p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Hue – the essential colour determined by the dominant wavelength of light</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Saturation – the purity of the colour</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Brightness – the sensation of the overall intensity of all the wavelengths that make up light</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Trichromatic theory – a theory of colour vision identifying three types of visual elements (blue, green and red), each of which is most sensitive to different wavelengths of light</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Opponent-process theory – a theory of colour vision stating that colour-sensitive visual elements are grouped into green-red, blue-yellow and black-white elements</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">
<p class="MsoNormal" style="margin-left: 36pt; text-align: center; text-indent: -36pt;" align="center"><strong>Chemical Senses</strong><span style="text-decoration: underline;"><span style="font-size: 26pt; text-transform: uppercase;"></span></span></p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Synthesia – a blending of sensory experiences that causes some people to ‘see’ sounds or ‘taste’ colours</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Anosmia – people who are unable to distinguish between different smells</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Olfaction – the sense of smell</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Olfactory system – employs thousands of receptors, and sensory information goes directly into the brain</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Olfactory bulb – a brain structure that receives messages regarding olfaction</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Pheromones – chemicals released by one animal and detected by another, that affects the second animal’s behaviour or physiology</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Vomeronasal organ – a portion of the mammal olfactory system that detects pheromones</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Gustation – the sense of taste</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Papillae – structures on the tongue containing groups of taste receptors or taste buds</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Sensations – salty, sweet, sour, bitter, astringent, umami</p>
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<p class="MsoNormal"><strong>Aspect of Sensory   System</strong></p>
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<p class="MsoNormal"><strong>Elements</strong></p>
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<p class="MsoNormal"><strong>Key Characteristics</strong></p>
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<p class="MsoNormal">Energy</p>
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<p class="MsoNormal">Smell – volatile chemicals</p>
<p class="MsoNormal">Taste – chemicals in solution</p>
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<p class="MsoNormal">The amount, intensity and location of the chemicals   determine taste and smell sensations</p>
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<p class="MsoNormal">Structures of Taste and Smell</p>
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<p class="MsoNormal">Smell – chemical receptors on the mucous membranes of the   nose</p>
<p class="MsoNormal">Taste – taste buds grouped in papillae in the mouth</p>
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<p class="MsoNormal">Odour and taste molecules stimulate chemical receptors</p>
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<p class="MsoNormal">Pathways to the brain</p>
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<p class="MsoNormal">Olfactory bulb and taste buds</p>
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<p class="MsoNormal">Axons from the nose bypass the thalamus and extend   directly to the olfactory bulb</p>
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<p class="MsoNormal" style="margin-left: 36pt; text-align: center; text-indent: -36pt;" align="center">
<p class="MsoNormal" style="margin-left: 36pt; text-align: center; text-indent: -36pt;" align="center"><strong>Somatic Senses</strong><span style="text-decoration: underline;"><span style="font-size: 26pt; text-transform: uppercase;"></span></span></p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Somatic senses – senses of touch, temperature, pain and kinaesthesia</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Touch – dependant on free nerve endings, but is subject to habituation, coded for by the neurons (baseline firing rate)</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Temperature – warm fibred (sensory neurons) produce effects, but often are combined with touch</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Pain – very similar to touch and temperature in receptiveness, uses A-delta and C fibres to carry pain sensations</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Gate control theory – a theory that suggests a functional gate in the spinal cord can either let pain impulses travel up to the brain or block their progress</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Analgesia – the absence of pain sensations in the presence of a normally painful stimulus</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Natural analgesics – serotonin and endorphins</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Kinaesthesia – the sense that tells you where the parts of your body are in relation</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Proprioceptive senses – the sensory systems that allow us to know about where we are and what each part of our body is doing</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Vestibular senses – the proprioceptive sense that provides information about the position of the body</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Vestibular sacs – organs in the inner ear that connect to the semicircular canals and the cochlea</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Otoliths – small crystals in the vestibular sacs that stimulate nerves cells</p>
<p class="MsoNormal" style="margin-left: 36pt; text-indent: -36pt;">Semicircular canals – tubes in the inner ear whose fluid, when shifted by head movements, stimulating nerves cells</p>
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		<title>Muse Attack!</title>
		<link>http://darkthorn.sorrowfulunfounded.com/2008/06/muse-attack/</link>
		<comments>http://darkthorn.sorrowfulunfounded.com/2008/06/muse-attack/#comments</comments>
		<pubDate>Wed, 11 Jun 2008 00:27:34 +0000</pubDate>
		<dc:creator>darkthorn</dc:creator>
				<category><![CDATA[Author's Notes]]></category>
		<category><![CDATA[University]]></category>
		<category><![CDATA[Classical/Operant Conditioning]]></category>
		<category><![CDATA[News Stories]]></category>
		<category><![CDATA[Novel]]></category>
		<category><![CDATA[Psychology]]></category>

		<guid isPermaLink="false">http://darkthorn.sorrowfulunfounded.uni.cc/?p=81</guid>
		<description><![CDATA[I couldn&#8217;t sleep last night for all the thoughts going round and round. First, it was the difference between operant and classical conditioning. Operant Conditioning is the use of reinforcement and punishment to increase or decrease the likelihood of the desired response. For example, Skinner&#8217;s Box taught a rat how to press a lever to [...]]]></description>
			<content:encoded><![CDATA[<p>I couldn&#8217;t sleep last night for all the thoughts going round and round.</p>
<p>First, it was the difference between operant and classical conditioning.</p>
<p><strong>Operant Conditioning</strong> is the use of reinforcement and punishment to increase or decrease the likelihood of the desired response. For example, Skinner&#8217;s Box taught a rat how to press a lever to obtain food. Reinforcement and punishment can be both positive (involving the introduction of a stimulus) and negative (the removal of a stimulus). Reinforcement is usually continual while the desired behaviour is shaped. Then, in order to make the behaviour resistant to extinction, different schedules of reinforcement can be used.</p>
<p>These include are either a time interval or a ratio, and a fixed or variable schedule. A variable ratio is used in casino gambling, because it is the least likely to become extinct.</p>
<p><strong>Classical Contioning </strong>involves the repeated pairing of an unconditioned stimulus with a conditioned stimulus in order to produce a desired response. An example of this is Pavlov&#8217;s experiment on dogs. With repeated pairings of a bell and the presentation of food, dogs learnt to salivate at only the presentation of the bell.</p>
<p>Some pairings are more likely to occur than others. An electric shock to a rat, when paired with a light, bell and flavoured water, is more likely to illicit the &#8216;freeze&#8217; response only to the light or bell.</p>
<p><em>All notes are Copyright Monash University, and have been paraphrased by me for your enjoyment.</em></p>
<p>Second, it was all the wonderful ideas I had for my news stories for Creative and Professional Writing.</p>
<ul style="margin-top: 0cm;" type="disc">
<li class="MsoNormal">the      state of nursing homes</li>
<li class="MsoNormal">the      effects of the new Mornington Peninsula Freeway
<ul style="margin-top: 0cm;" type="circle">
<li class="MsoNormal">on       tourism</li>
<li class="MsoNormal">interview       shop-owners</li>
<li class="MsoNormal">impact       of just Eastlink?
<ul style="margin-top: 0cm;" type="square">
<li class="MsoNormal">traffic        problems</li>
<li class="MsoNormal">extensive        advertising when it hasn’t even been opened yet (shops in Frankton        Shopping Centre)</li>
<li class="MsoNormal">estimations        of arrival times, are they accurate</li>
</ul>
</li>
</ul>
</li>
<li class="MsoNormal">the      impact of music on teens
<ul style="margin-top: 0cm;" type="circle">
<li class="MsoNormal">teens       being forced to do music, and the actual benefits</li>
<li class="MsoNormal">relationship       between music and emotions</li>
<li class="MsoNormal">the       use of music in improving learning – does it work if it is forced?</li>
<li class="MsoNormal">Classical       music played in Frankston Train Station to reduce graffiti and vandalism
<ul style="margin-top: 0cm;" type="square">
<li class="MsoNormal">how        effective is it?</li>
<li class="MsoNormal">when        is the music played?</li>
<li class="MsoNormal">relationship        between teens feeling more positive and listening to music?</li>
<li class="MsoNormal">could        it see a decrease of both vandalism and mental health problems?</li>
</ul>
</li>
</ul>
</li>
<li class="MsoNormal">the      closing of MPSP
<ul style="margin-top: 0cm;" type="circle">
<li class="MsoNormal">its       impact on local community</li>
<li class="MsoNormal">statistics       of religious beliefs (last weeks paper?)</li>
<li class="MsoNormal">coordination       of activities at Mornington House</li>
<li class="MsoNormal">decline       of Anglican religion related to decline of MPSN?</li>
<li class="MsoNormal">is       spirituality as a whole dying?</li>
<li class="MsoNormal">statistics       on belief in God</li>
</ul>
</li>
</ul>
<ul style="margin-top: 0cm;" type="disc">
<li class="MsoNormal">combine questionnaire and interview to ensure names are spelt correctly for      contact list
<ul style="margin-top: 0cm;" type="circle">
<li class="MsoNormal">sign       declaration of allowing their names to be published??</li>
<li class="MsoNormal">tick       the box if they would like a copy of the article</li>
<li class="MsoNormal">require       a name, email address and phone-number</li>
</ul>
</li>
</ul>
<p>And last, I wrote a bit more of the novel in my head, scribbling notes by torchlight.</p>
<p>In all, a very productive night, sadly with less than 5 hours sleep, I will not be functioning well for the rest of today.</p>
<p>~ Darkthorn</p>
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